a literary arts journal
thirty-nine and a half
Cassandra Moss
Question: does our time apart
negate our time together?
You’re on my mind as I explore my fourth neighborhood in six years.
It has parallel streets and house fronts with hanging baskets.
I have no idea how long I’ll get to live here.
My gently maturing flesh feels like a summer raincoat
as I age second to second, unstoppably.
I am mainly life but a little bit of death fading in like a watermark.
But no worries about the above, only asking rhetorically.
Because I would never ask anything of another.
Could not.
Some people can. You see
them sitting in cars on Saturday mornings
in traffic jams leading into the city.
Silence abounds
as vocalization is nostalgia
for when knowing they could
was the relief of knowing
they weren’t people who can’t.
I want to have something pressing to say to you.
Something that can’t remain within:
tumorous words that must be cut from my speech organs
to be found either benign or malignant.
I want their horror to bring you back here with me
as that would mark this transition into middle age
in the coming Fire Age
with some gravitas, wouldn’t it?
You see, when I was a kid I played rounders in the park
and disliked running for the ball.
I said life should be 80/20 rest to work
and outraged my friend’s dad.
He called me stupid.
He said he’d like to see what I would make of myself.
I don’t mean to say he pictured my future.
I don’t think the absurd circumstances
of children’s futures occurred to him at all.
~~~
Cassandra Moss was born in Manchester, England. She studied English With Film at King’s College London and subsequently worked in the film industry and as an ESL teacher. After completing an MPhil in Linguistics at Trinity College Dublin, she now lives and writes by the sea. Her work has appeared in numerous places, including New York Quarterly, Posit, Interpret Magazine, Drunk Monkeys, and SPECTRE Poets.
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She is on Instagram @cassandra_moss
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