The Spider
Christine Kitano
she/her
Usually, I let the spiders be;
D. claims they catch flies, though
I've yet to spot a single
body, green bottle, fruit,
or otherwise, trapped in any
of the webs I knock at
with a broom, the fine-woven nets
that seem to sprout overnight,
strung like Christmas lights
from the undersides
of the kitchen shelves.
But today, up at 4 a.m.
to drive D. to the airport, him gone
for three days to Colorado
to read poems about his brother, dead
a year now, the type of death
inadequately punctuated with
an ellipsis, the dawn
outside our little cottage interrupted
by neither house nor street light, the dark
impenetrable, already I know
it will be too much. Too much
to arrive home this evening
to an empty house, too much
to open the sack of rice and find
this ink-colored spider starred
against the grains. It's not fear
that prompts me, but it is
a sensation like a trembling
in meadowgrass on a warm day,
a column of green blades
flattening. When the spider stops
on the counter, between
sink and coffeepot, I do not
hesitate: I snatch a dishtowel
and press my whole weight
into it, into this
junior minister of the
unknowable, aiming
not for his floss-thin legs
but the center of the star
itself, the chaotic heart
of the universe beating—
for the flicker of a
second—
under my thumb.
Christine Kitano is the author of the poetry collections Birds of Paradise (Lynx House Press) and Sky Country (BOA Editions), which won the Central New York Book Award and was a finalist for the Paterson Poetry Prize. Her chapbook, Dumb Luck & other poems (Texas Review Press) won the Robert Phillips Poetry Chapbook Prize. She is an associate professor in the Lichtenstein Center at Stony Brook University, and serves on the poetry faculty for the MFA Program for Writers at Warren Wilson College.