a literary arts journal
Goodspeed Landing
Alexandra Burack
At the waterfront café, a tall boy and small
boy play-fight on the dock. Evening
had metastasized for hours, and willows
stand leafless and yellow under lamps
along the embankment. Three strands
of light waver on the wide river: halogens
from a boat-launch opposite polish
the surface the orange of dried apricots.
The short kid’s in a superhero T-shirt
but no match for the bigger, hoodied one,
who throws the most punches. They tempt
pier’s end, and I avert my eyes to scan
the illuminated swing bridge saved by barge
traffic, marvel that it stays closed, all the small
lives carried safely across. I imagine the kids
as brothers, lives unfurling on shop picture-
windows that in daytime reflect the semaphore
of speedboats: one paints garage-secret shore
scenes, the other sorts feed-store chain-link,
later years redemptive as they share the helm
of the Hadlyme ferry. My spoon slits the calm
milk in tea the moment some root of separation
runs from dream to deed, as the younger boy slides
on one foot off the dock, and his body tears
through a loose seam of water. Screams unspool
along the length of the lit bridge, which I first
mistake for train whistles of my own lost
childhood that sped toward unreachable towns;
then home hits stark in shrieks of the older boy,
thinned to the transparency of panic as the fist
of his heart curls, then uncurls against the torn
skin of the river, that when I peer down the dark,
begins to stitch itself under the shivering gloss.
~~~
Alexandra Burack is a Pushcart Prize-nominated poet, editor, and the original initiator and Inaugural Managing Editor of Lumina. Her chapbook of poems, On the Verge, was published by Plinth Books, and her recent work has appeared in The Sewanee Review, Sky Island Journal, Emerge Literary Journal, The Blue Mountain Review, Broad River Review, Roi Fainéant, ORLANDO, and Ink & Marrow, and is forthcoming in Spillway Magazine, Heavy Feather Review, and A Plate of Pandemic. She serves as a Poetry Reader for The Los Angeles Review and $ Poetry is Currency, a Poetry Editor for Iron Oak Editions, and is Adjunct Professor of Creative Writing at Chandler-Gilbert Community College (AZ).